๐๐ฎ๐๐ฒ๐๐ ๐ก๐ฒ๐๐
๐๐ข๐ญ๐๐ซ๐๐ญ๐ฎ๐ซ๐ ๐ข๐ง ๐ ๐๐ข๐ฆ๐ ๐จ๐ ๐๐ญ๐ซ๐ฎ๐ ๐ ๐ฅ๐: ๐๐ก๐ ๐๐๐ญ๐ก ๐๐ ๐๐๐ญ๐ข๐จ๐ง๐๐ฅ ๐๐ซ๐ข๐ญ๐๐ซ๐ฌ ๐๐จ๐ซ๐ค๐ฌ๐ก๐จ๐ฉ ๐๐ฉ๐๐ง๐ฌ ๐ข๐ง ๐๐๐ญ๐๐ง๐ ๐๐ฌ
๐๐ข๐ญ๐๐ซ๐๐ญ๐ฎ๐ซ๐ ๐ข๐ง ๐ ๐๐ข๐ฆ๐ ๐จ๐ ๐๐ญ๐ซ๐ฎ๐ ๐ ๐ฅ๐: ๐๐ก๐ ๐๐๐ญ๐ก ๐๐ ๐๐๐ญ๐ข๐จ๐ง๐๐ฅ ๐๐ซ๐ข๐ญ๐๐ซ๐ฌ ๐๐จ๐ซ๐ค๐ฌ๐ก๐จ๐ฉ ๐๐ฉ๐๐ง๐ฌ ๐ข๐ง ๐๐๐ญ๐๐ง๐ ๐๐ฌ
NASUGBU, Batangas โ The Likhaan: University of the Philippines Institute of Creative Writing opened the 65th UP National Writers Workshop in Nasugbu, hosted in partnership with Guang Ming College. The workshop is led by UP ICW Director Dr. Vladimeir B. Gonzales and Workshop Director Dr. Eugene Y. Evasco.
The program brings together a batch of fellows working across English and Filipino divisions. This year’s public lecture program, the PAN Series, is themed โMalikhaing Pagsulat sa Panahon ng Pakikibakaโ (Creative Writing in a Time of Struggle).
The roster for the 65th edition includes:
Filipino Division: Gerome Nicolas Dela Peรฑa (Nobela); Andrew Clete and Amanda Socorro L. Echanis (Dula); Pia C. Montalban (Tula); Hyll Mendoza (Creative Nonfiction); and Mubarak M. Tahir (Creative Nonfiction).
English Division: Allene Allanigue (Novel); Jan Dennis S. Destajo (Poetry); Gita Labrador (Poetry); Trish Shishikura (Poetry); Nelson Dino (Creative Nonfiction); and Leonard Javier (Creative Nonfiction).
Since 1965, the workshop centers on manuscript critique sessions led by a panel of writers and scholars from the UP ICW.
Programming also includes public lectures and cultural presentations, featuring a staged reading of โSinapupunan ng Digmaan,โ a one-act play by fellow Amanda Socorro L. Echanis, performed with the Guang Ming Theatre Ensemble.
๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐. ๐๐๐๐: ๐๐๐๐๐๐๐ฬ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐, ๐๐๐๐ ๐๐ ๐๐๐ ๐๐
๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐
๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐. ๐๐๐๐๐๐๐
๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐. ๐๐๐๐: ๐๐๐๐๐๐๐ฬ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐, ๐๐๐๐ ๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐. ๐๐๐๐๐๐๐
Malacaรฑang has announced that Saturday, September 12, 2026, will be observed as a Day of National Mourning for the late National Artist for Literature and UP College of Arts and Letters Ph.D. alumnus Dr. Resil B. Mojares.
Under Proclamation No. 1434, signed by the President, the national flag will fly at half-mast from sunrise to sunset on all government buildings and installations across the country and abroad on the day of his funeral.
Mojares, who died on September 5, 2026, at age 83, was honored for his outstanding contributions as a teacher, scholar, essayist, fictionist, and historian. His work significantly promoted regional literature, local history, and the development of Binisaya and national identity.
After earning his BA and MA degrees from the University of San Carlos, Mojares obtained his Ph.D. in English (Literature) from the UP College of Arts and Sciences (now divided into several collegesโCAL, College of Social Sciences and Philosophy, College of Science) in 1979. He was later named a National Artist of the Philippines for Literature in 2018.
Proclamation No. 1434 emphasized that his passing is a loss to the Filipino people and the nationโs cultural and artistic community. The September 12 observance enables the entire country to come together in mourning, remembrance, and tribute to his lasting legacy.
๐๐ ๐๐ข๐ฅ๐ข๐ฆ๐๐ง ๐๐ง๐ ๐๐ง๐ข๐ฏ๐๐ซ๐ฌ๐ข๐ญ๐ข ๐๐๐ฅ๐๐ฒ๐ฌ๐ข๐ ๐๐๐๐๐ก ๐
๐จ๐ซ๐ฆ๐๐ฅ๐ข๐ณ๐ ๐๐๐ซ๐ญ๐ง๐๐ซ๐ฌ๐ก๐ข๐ฉ ๐ฐ๐ข๐ญ๐ก ๐๐๐ ๐๐ข๐ ๐ง๐ข๐ง๐ ๐๐ง๐ ๐๐๐๐๐๐ฆ๐ข๐ ๐๐๐๐ญ๐ฎ๐ซ๐๐ฌ
๐๐ ๐๐ข๐ฅ๐ข๐ฆ๐๐ง ๐๐ง๐ ๐๐ง๐ข๐ฏ๐๐ซ๐ฌ๐ข๐ญ๐ข ๐๐๐ฅ๐๐ฒ๐ฌ๐ข๐ ๐๐๐๐๐ก ๐ ๐จ๐ซ๐ฆ๐๐ฅ๐ข๐ณ๐ ๐๐๐ซ๐ญ๐ง๐๐ซ๐ฌ๐ก๐ข๐ฉ ๐ฐ๐ข๐ญ๐ก ๐๐๐ ๐๐ข๐ ๐ง๐ข๐ง๐ ๐๐ง๐ ๐๐๐๐๐๐ฆ๐ข๐ ๐๐๐๐ญ๐ฎ๐ซ๐๐ฌ
๐๐ ๐๐ซ๐จ๐ฆ ๐๐๐ ๐๐๐ฆ๐๐ ๐๐ ๐๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ; ๐๐๐๐๐ ๐ญ๐จ ๐๐จ๐ฌ๐ญ ๐๐๐๐จ๐ ๐ง๐ข๐ญ๐ข๐จ๐ง ๐๐๐ซ๐๐ฆ๐จ๐ง๐ข๐๐ฌ ๐จ๐ง ๐๐ฎ๐ ๐ฎ๐ฌ๐ญ ๐๐
๐๐ ๐๐ซ๐จ๐ฆ ๐๐๐ ๐๐๐ฆ๐๐ ๐๐ ๐๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ;
๐๐๐๐๐ ๐ญ๐จ ๐๐จ๐ฌ๐ญ ๐๐๐๐จ๐ ๐ง๐ข๐ญ๐ข๐จ๐ง ๐๐๐ซ๐๐ฆ๐จ๐ง๐ข๐๐ฌ ๐จ๐ง ๐๐ฎ๐ ๐ฎ๐ฌ๐ญ ๐๐
๐๐ ๐๐ซ๐จ๐ฆ ๐๐๐ ๐๐๐ฆ๐๐ ๐๐ ๐๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ; ๐๐๐๐๐ ๐ญ๐จ ๐๐จ๐ฌ๐ญ ๐๐๐๐จ๐ ๐ง๐ข๐ญ๐ข๐จ๐ง ๐๐๐ซ๐๐ฆ๐จ๐ง๐ข๐๐ฌ ๐จ๐ง ๐๐ฎ๐ ๐ฎ๐ฌ๐ญ ๐๐
Thirty-one faculty members, former faculty members, and alumni from the UP College of Arts and Letters (UP CAL) have been officially appointed to the UP Arts Productivity System (APS) for Cycle Years 2023โ2025 and 2024โ2026.
The announcement comes ahead of the official awarding ceremonies for the UP APS Awards, scheduled for August 14, 2026, from 3:00 PM to 5:00 PM at the Atencio-Libunao Hall, UP Diliman. Organized by the Office of the President (OP) and the Office of the Vice President for Academic Affairs (OVPAA), the event honors artists whose work enriches the University’s cultural and intellectual landscape, celebrating distinction and the UP tradition of honor, excellence, and service.
The UP Board of Regents (BOR) approved the appointments during its 1409th meeting on May 27, 2026, following the recommendations of the APS Council, UP President Angelo A. Jimenez, and Vice President for Academic Affairs Lorraine Pe Symaco.
Established in December 2008, the APS recognizes outstanding productivity in the creative arts and arts scholarship. Appointees bear the title of “UP Artist” and receive annual monetary awards for three years, tiered at โฑ150,000 for Artist I, โฑ200,000 for Artist II, and โฑ250,000 for Artist III, backed by a total allocated funding of โฑ24,900,000.00 for the 2023โ2026 period.
๐๐๐๐๐๐๐๐ ๐ ๐๐ ๐ก๐๐ ๐๐ ๐ถ๐ด๐ฟ-๐ด๐๐๐๐๐๐๐ก๐๐ ๐๐ ๐ด๐๐ก๐๐ ๐ก๐
CY 2023โ2025 Cohort
New Applications:
Ma. Cecilia Dela Rosa โ UP Artist I (Theatre Arts, Literature)
Roselle V. Pineda โ UP Artist I (TV/Radio/Digital Media)
Elyrah L. Salanga-Torralba โ UP Artist I (Literature)
Oscar T. Serquiรฑa Jr. โ UP Artist I (Theatre Arts)
Maree Barbara M. Tan-Tiongco โ UP Artist I (Theatre Arts)
Amparo Adelina III C. Umali (UPD CIS) โ UP Artist II (Theatre Arts)
Emmanuel V. Dumlao (UP Los Baรฑos) โ UP Artist I (TV/Radio/Digital Media, Theatre Arts, Literature)
Retention:
Raniela E. Barbaza โ UP Artist I (Literature)
Ma. Amihan Bonifacio-Ramolete โ UP Artist I (Theatre Arts)
U Z. Eliserio โ UP Artist I (Literature)
Sir Anril P. Tiatco โ UP Artist I (Theatre Arts)
Vladimeir B. Gonzales โ UP Artist II (Theatre Arts, Literature)
Patrick F. Campos (UPD CMC) โ UP Artist II (Film)
CY 2024โ2026 Cohort
New Applications:
Sydney Paige P. Guerrero โ UP Artist I (Literature)
Mark Louie L. Lugue โ UP Artist I (Visual Arts)
John Carlo V. Pagunaling โ UP Artist II (Theatre Arts)
Jay Jomar F. Quintos โ UP Artist II (Literature)
Dayang Magdalena Nirvana T. Yraola (UPD CFA) โ UP Artist I (Visual Arts)
Dennis Andrew S. Aguinaldo (UP Los Baรฑos) โ UP Artist I (Literature)
Cris R. Lanzaderas (UP Los Baรฑos) โ UP Artist I (Film, Literature)
Liwliwa N. Malabed (UP Los Baรฑos) โ UP Artist I (Literature)
John E. Barrios (UP Visayas) โ UP Artist I (Literature)
Retention:
Cecilia S. De La Paz โ UP Artist I (Visual Arts)
Arbeen R. Acuรฑa โ UP Artist I (Literature)
Dexter M. Santos โ UP Artist II (Theatre Arts)
Ferdinand P. Jarin (UP Visayas) โ UP Artist II (Literature)
Will P. Ortiz โ UP Artist II (Literature)
Eugene Y. Evasco โ UP Artist III (Literature)
Eulalio III R. Guieb (UPD CMC) โ UP Artist III
(Film, TV/Radio/Digital Media, Theatre Arts, Literature)
Roland B. Tolentino (UPD CMC) โ UP Artist III (Film, Literature)
From the UP Office of the Vice President for Academic Affairs:
https://www.facebook.com/share/v/19K1bCddVW/?mibextid=wwXIfr
๐๐ ๐๐๐ ๐๐ฅ๐ฎ๐ฆ๐ง๐ฎ๐ฌ ๐ข๐ฌ ๐๐๐ ๐๐๐๐ซ๐๐ญ๐๐ซ๐ฒ: ๐๐ก๐ ๐๐๐ฐ ๐๐๐๐ฅ๐ญ๐ก ๐๐๐๐ซ๐๐ญ๐๐ซ๐ฒโ๐ฌ ๐๐ง๐๐จ๐ง๐ฏ๐๐ง๐ญ๐ข๐จ๐ง๐๐ฅ ๐๐๐ญ๐ก
๐๐ ๐๐๐ ๐๐ฅ๐ฎ๐ฆ๐ง๐ฎ๐ฌ ๐ข๐ฌ ๐๐๐ ๐๐๐๐ซ๐๐ญ๐๐ซ๐ฒ: ๐๐ก๐ ๐๐๐ฐ ๐๐๐๐ฅ๐ญ๐ก ๐๐๐๐ซ๐๐ญ๐๐ซ๐ฒโ๐ฌ ๐๐ง๐๐จ๐ง๐ฏ๐๐ง๐ญ๐ข๐จ๐ง๐๐ฅ ๐๐๐ญ๐ก
When Dr. Jose Brittanio โBrixโ S. Pujalte Jr. takes the helm at the Department of Health (DOH) this month, he will arrive with the conventional credentials of his predecessors: decades of orthopedic surgery, a masterโs degree in hospital administration, and a long tenure as the chief of a major medical center. Yet, the intellectual framework he brings to the cabinet office was not forged in a clinical laboratory or a surgical suite.
It was formed in 1984, in the classrooms of theUP College of Arts and Letters, where he earned a Bachelor of Arts in Humanities.
Part of a pre-med program then housed within the Department of Humanities Art Studies UP Dilimanan), Dr. Pujalteโs undergraduate years were defined by critical inquiry. For the new Secretary, that early immersion in the arts serves as the foundation for his medical practice.
โHe has always seen the human experience as the primary text of his work,โ said UP CAL Alumni Association Co-Chair Chyn San Juan. โHe used arts and humanities as a lens to understand the bodies he would eventually heal.โ
One of Dr. Pujalte’s mentors was Professor Felipe M. de Leon, Jr., who served as Chair of the Department of Humanities from 1976-82. Later, he became Chair of the National Commission for Culture and the Arts (NCCA) from 2010 to 2016.
This orientation is evident in Dr. Pujalteโs writing, most notably in Boning Down: Orthopaedic Juvenilia and Other Unusual Essays. In the collection, he treats the hospital as a cultural landscape rather than merely a site of technical intervention. His prose bridges the gap between the sterile environment of the operating room and the realities of human life.
That perspective defined his leadership during his 12-year tenure as Medical Center Chief of the Philippine Orthopedic Center (POC). While his office oversaw the facility’s modernization, including the 2022 opening of a six-story clinical building, Dr. Pujalte maintained a focus on the patient experience. He argued that the hospital’s physical infrastructure was inseparable from the dignity of those it served, a philosophy rooted in the lessons of his humanities education.
His career, spanning roles as president of the ASEAN Orthopaedic Association and the Philippine Orthopedic Association, is characterized by technical exactitude. A pioneer in shoulder and spine surgery, he operates within a subspecialty that demands precision. However, his elevation to the top of the health department comes at a time when the agency is struggling to maintain public trust.
As the government moves to implement the Universal Health Care law, Dr. Pujalte faces the logistical and bureaucratic challenges that have confronted previous administrations. His background as a student of culture provides a capacity for narrative-driven communication. In an era where health policy is often obscured by technical jargon, Dr. Pujalte is expected to favor a more nuanced approachโone that prioritizes the patientโs perspective within the broader health ecosystem.
His transition to the DOH, following the resignation of Dr. Teodoro Herbosa, places him at a juncture for the Philippine health sector. Whether this perspective can withstand the pressure of a strained national health system remains to be seen. But for a surgeon who spent his formative years analyzing the human condition, the task at the Department of Health is the continuation of a career dedicated to the intersection of the technical and the human.
For Dr. Pujalte, the journey from CAL to the cabinet is an attempt to treat the state of the nationโs health with the same deliberate, interdisciplinary attention he once applied to the humanities
Department of Health (DOH)
๐๐ก๐ ๐๐ ๐๐จ๐ฅ๐ฅ๐๐ ๐ ๐จ๐ ๐๐ซ๐ญ๐ฌ ๐๐ง๐ ๐๐๐ญ๐ญ๐๐ซ๐ฌ (๐๐๐) ๐๐๐๐ ๐๐๐๐จ๐ ๐ง๐ข๐ญ๐ข๐จ๐ง ๐๐๐ฒ ๐๐ญ ๐ญ๐ก๐ ๐๐ ๐
๐ข๐ฅ๐ฆ ๐๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ๐, ๐ก๐จ๐ฌ๐ญ๐๐ ๐๐ฒ ๐ญ๐ก๐ ๐๐๐ ๐๐๐ฉ๐๐ซ๐ญ๐ฆ๐๐ง๐ญ ๐จ๐ ๐๐ง๐ ๐ฅ๐ข๐ฌ๐ก ๐๐ง๐ ๐๐จ๐ฆ๐ฉ๐๐ซ๐๐ญ๐ข๐ฏ๐ ๐๐ข๐ญ๐๐ซ๐๐ญ๐ฎ๐ซ๐.
๐๐ก๐ ๐๐ ๐๐จ๐ฅ๐ฅ๐๐ ๐ ๐จ๐ ๐๐ซ๐ญ๐ฌ ๐๐ง๐ ๐๐๐ญ๐ญ๐๐ซ๐ฌ (๐๐๐) ๐๐๐๐ ๐๐๐๐จ๐ ๐ง๐ข๐ญ๐ข๐จ๐ง ๐๐๐ฒ ๐๐ญ ๐ญ๐ก๐ ๐๐ ๐ ๐ข๐ฅ๐ฆ ๐๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ๐, ๐ก๐จ๐ฌ๐ญ๐๐ ๐๐ฒ ๐ญ๐ก๐ ๐๐๐ ๐๐๐ฉ๐๐ซ๐ญ๐ฆ๐๐ง๐ญ ๐จ๐ ๐๐ง๐ ๐ฅ๐ข๐ฌ๐ก ๐๐ง๐ ๐๐จ๐ฆ๐ฉ๐๐ซ๐๐ญ๐ข๐ฏ๐ ๐๐ข๐ญ๐๐ซ๐๐ญ๐ฎ๐ซ๐.
How does a university celebrate its cultural producers while structurally displacing them?
For this yearโs ceremonies, theatre designer and Assistant Professor of Theatre Arts John Carlo Pagunaling bypasses decorative protocol to debut a mobile installation: ๐ต๐๐๐ค๐๐ก. It is a spatial intervention that lays bare the exact material condition of the humanities in the contemporary academy.
๐ต๐๐๐ค๐๐กโa vernacular corruption of the English “evacuate”โdesignates the subject displaced by military conflict, ecological catastrophe, or state enclosure.
Pagunaling maps this category of uprooting directly onto the institutional body of the UP College of Arts and Letters (CAL). As a primary cradle of national humanistic production, CAL boasts an intellectual lineage that includes 19 National Artists. Yet, this cultural pedigree stands in stark contrast to a ten-year condition of institutional vagrancy.
Since the 2016 fire that gutted the UP Faculty Centerโobliterating decades of irreplaceable archives and academic sanctuariesโCALโs faculty and student body have existed in a state of prolonged internal exile, distributed across transient enclaves. The ๐ต๐๐๐ค๐๐ก trope is no longer an external socio-political referent; it has become CAL’s lived reality.
This confrontation with structural precarity is a direct continuation of Pagunalingโs design methodology. His past work consistently positions material culture at the intersection of popular idiom and systemic dislocationโwhether anchoring the economic desperation of the urban lumpenproletariat in Bona (2012), transforming post-disaster debris into a functional framework for Rak of Aegis (2014), or navigating geopolitical conflict in Anak Datu (2022).
With ๐ต๐๐๐ค๐๐ก, he moves from the proscenium arch to social sculpture.
The bamboo installation is built to be mobile and deliberately, will be routed through the grove between UP Vargas Museum and the Faculty Commons, along the U.P Academic Oval. Originally slated to mitigate the infrastructure deficits of displaced CAL departments, the new FC has been designated by the administration as the future headquarters for certain University of the Philippines System and UP Diliman bureaucracies.
This bureaucratic enclosure of space prioritizes managerial architecture over the infrastructure of humanistic pedagogy.
By physically introducing ๐ต๐๐๐ค๐๐ก into this disputed topography, Pagunaling utilizes scenography to disrupt bureaucratic transparency. The mobile installation forces a direct, physical encounter between a nomadic academic community and the expanding apparatus of university governance.
๐ต๐๐๐ค๐๐ก functions as an active archive of institutional trauma, rendering visible the systemic precarity hidden behind the rhetoric of academic excellence. The humanities cannot be abstractly canonized by an institution that structurally marginalizes their physical execution.
This is not a piece of ceremonial decor. It is an unaccommodated demand for space, memory, and structural rectitude.
#UPD #UPCAL #GawadBuhay #ScenographyAsCritique #PhilippineTheater #InstitutionalMemory
๐๐ฉ๐๐ง๐ข๐ฌ๐ก ๐๐๐๐ข๐๐ข๐ ๐๐ญ๐ฎ๐๐ข๐๐ฌ ๐๐จ๐ง๐๐๐ซ๐๐ง๐๐ ๐ก๐ข๐ ๐ก๐ฅ๐ข๐ ๐ก๐ญ๐ฌ ๐๐ฌ๐ข๐โ๐ฌ ๐ก๐ข๐ฌ๐ญ๐จ๐ซ๐ข๐๐๐ฅ ๐๐จ๐ฆ๐ข๐ง๐๐ง๐๐
Mula sa UP Diliman:
โStudies made by historians, scholars, and researchers of the Spanish Pacific and the Galleon system, particularly from the 1400s to the 1800s, conclude that โthe center of the world is not the Atlantic but Asia, particularly China.โ
โThis was revealed at the international conference, The Spanish Philippines: First International Conference of the Society for Early Transpacific Studies, which the UP Diliman Department of European Languages (DEL) recently hosted.โ
Read the article at https://upd.edu.ph/spanish-pacific-studies-conference-highlights-asias-historical-dominance/.
๐๐ ๐๐ซ๐จ๐ฆ ๐๐๐ ๐ง๐๐ฆ๐๐ ๐๐ ๐๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ ๐๐จ๐ซ ๐๐ ๐๐๐๐โ๐๐๐๐
๐๐ ๐๐ซ๐จ๐ฆ ๐๐๐ ๐ง๐๐ฆ๐๐ ๐๐ ๐๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ ๐๐จ๐ซ ๐๐ ๐๐๐๐โ๐๐๐๐
QUEZON CITY โ Thirty-one faculty members, former faculty members, and alumni from the UP College of Arts and Letters (CAL) were appointed to the UP Arts Productivity System (APS) for Cycle Years (CY) 2023โ2025 and CY 2024โ2026.
The UP Board of Regents (BOR) approved the appointments during its 1409th meeting on May 27, 2026, following the recommendations of the APS Council, UP President Angelo A. Jimenez, and Vice President for Academic Affairs Lorraine Pe Symaco.
The APS was established in December 2008 to recognize outstanding productivity in the creative arts and arts scholarship. Appointees receive the title of “UP Artist” alongside annual monetary awards for three years: โฑ150,000 for Artist I, โฑ200,000 for Artist II, and โฑ250,000 for Artist III.
The total funding allocated for the 2023โ2026 period is โฑ24,900,000.00.
The CAL-affiliated faculty members, researchers, and alumni included in the official roster are categorized by their award cycles, application types, and artistic disciplines:
๐๐ ๐๐๐๐โ๐๐๐๐
๐๐๐ฐ ๐๐ฉ๐ฉ๐ฅ๐ข๐๐๐ญ๐ข๐จ๐ง๐ฌ
Ma. Cecilia Dela Rosa โ UP Artist I (Theatre Arts, Literature)
Roselle V. Pineda โ UP Artist I (TV/Radio/Digital Media)
Elyrah L. Salanga-Torralba โ UP Artist I (Literature)
Oscar T. Serquiรฑa Jr. โ UP Artist I (Theatre Arts)
Maree Barbara M. Tan-Tiongco โ UP Artist I (Theatre Arts)
Amparo Adelina III C. Umali โ UP Artist II (Theatre Arts)
Emmanuel V. Dumlao (UP Los Baรฑos) โ UP Artist I (TV/Radio/Digital Media, Theatre Arts, Literature)
๐๐๐ญ๐๐ง๐ญ๐ข๐จ๐ง
Raniela E. Barbaza โ UP Artist I (Literature)
Ma. Amihan Bonifacio-Ramolete โ UP Artist I (Theatre Arts)
U Z. Eliserio โ UP Artist I (Literature)
Sir Anril P. Tiatco โ UP Artist I (Theatre Arts)
Vladimeir B. Gonzales โ UP Artist II (Theatre Arts, Literature)
Patrick F. Campos โ UP Artist II (Film)
๐๐ ๐๐๐๐โ๐๐๐๐ ๐๐จ๐ก๐จ๐ซ๐ญ
๐๐๐ฐ ๐๐ฉ๐ฉ๐ฅ๐ข๐๐๐ญ๐ข๐จ๐ง๐ฌ
Sydney Paige P. Guerrero โ UP Artist I (Literature)
Mark Louie L. Lugue โ UP Artist I (Visual Arts)
John Carlo V. Pagunaling โ UP Artist II (Theatre Arts)
Jay Jomar F. Quintos โ UP Artist II (Literature)
Dayang Magdalena Nirvana T. Yraola โ UP Artist I (Visual Arts)
Dennis Andrew S. Aguinaldo (UP Los Baรฑos) โ UP Artist I (Literature)
Cris R. Lanzaderas (UP Los Baรฑos) โ UP Artist I (Film, Literature)
Liwliwa N. Malabed (UP Los Baรฑos) โ UP Artist I (Literature)
John E. Barrios (UP Visayas) โ UP Artist I (Literature)
๐๐๐ญ๐๐ง๐ญ๐ข๐จ๐ง
Cecilia S. De La Paz โ UP Artist I (Visual Arts)
Jose Wendell P. Capili โ UP Artist I (Literature)
Arbeen R. Acuรฑa โ UP Artist I (Literature)
Dexter M. Santos โ UP Artist II (Theatre Arts)
Ferdinand P. Jarin (UP Visayas) โ UP Artist II (Literature)
Will P. Ortiz โ UP Artist II (Literature)
Eugene Y. Evasco โ UP Artist III (Literature)
Eulalio III R. Guieb โ UP Artist III (Film, TV/Radio/Digital Media, Theatre Arts, Literature)
Roland B. Tolentino โ UP Artist III (Film, Literature)
๐๐๐ ๐
๐๐๐ฎ๐ฅ๐ญ๐ฒ ๐๐ง๐ ๐๐ฅ๐ฎ๐ฆ๐ง๐ข ๐๐ฅ๐๐๐ญ๐๐ ๐ญ๐จ ๐๐๐ฐ ๐๐๐๐๐ ๐๐จ๐๐ซ๐
BAGUIO CITY โ Faculty members and alumni from the UP College of Arts and Letters (CAL) secured key positions in the newly elected Board of Directors of the Unyon ng mga Manunulat sa Pilipinas (UMPIL), the Writersโ Union of the Philippines.
The election took place on April 25, 2026, during the 52nd National Writersโ Congress held at the University of the Philippines Baguio. The proceedings were overseen by outgoing Chairman and UP Departamento ng Filipino at Panitikan ng Pilipinas Ph.D. alumnus Michael M. Coroza, who presided over the voting of life and regular members.
The incoming 2026โ2029 Board features a strong representation from CALโs academic departments. Leading the group is CAL Dean Jimmuel Naval, alongside fellow DFPP faculty members Romulo Baquiran Jr. and Victor Emmanuel Carmelo Nadera Jr.
Prominent CAL alumni were also elected to the board, including Susan Severino Lara from the Department of English and Comparative Literature (DECL) and Jazmin Llana from the Department of Speech Communication and Theatre Arts (DSCTA).
Fifteen writers were selected to lead the organization for the upcoming three-year term. The full list of the 2026-2029 UMPIL Board includes:
Romulo P. Baquiran Jr.
Roy Rene S. Cagalingan
Paul A. Castillo
Abner E. Dormiendo
Susan S. Lara
Junley L. Lazaga
Jazmin B. Llana
Diandra Ditma A. Macarambon
Clarissa V. Militante
Victor Emmanuel Carmelo D. Nadera Jr.
Jimmuel C. Naval
Aldrin P. Pentero
Joey A. Tabula
John Iremil E. Teodoro
John Enrico C. Torralba
The newly elected board members are scheduled to convene shortly to elect the executive officers, including the Chairman, Vice-Chairman, Secretary-General, Treasurer, and Auditor.
UMPIL remains the largest organization of Filipino writers in the country, dedicated to the promotion of Philippine literature and the protection of writers’ rights.
๐ง๐ต๐ฟ๐ฒ๐ฒ ๐ฝ๐ฟ๐ผ๐ณ๐ฒ๐๐๐ผ๐ฟ๐ ๐ฎ๐ป๐ฑ ๐ฎ ๐๐ผ๐ฟ๐ธ๐๐ต๐ผ๐ฝ ๐ณ๐ฟ๐ผ๐บ ๐๐ต๐ฒ ๐จ๐ฃ ๐๐ถ๐น๐ถ๐บ๐ฎ๐ป ๐๐ผ๐น๐น๐ฒ๐ด๐ฒ ๐ผ๐ณ ๐๐ฟ๐๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐๐๐ฒ๐ฟ๐
๐๐๐ง๐ค๐ข๐ง๐ ๐ฌ ๐ฏ๐ฌ. ๐๐๐๐ฅ๐ข๐ญ๐ฒ: ๐๐ก๐ ๐๐ญ๐๐ญ๐ ๐จ๐ ๐ญ๐ก๐ ๐๐ฎ๐ฆ๐๐ง๐ข๐ญ๐ข๐๐ฌ ๐๐ญ ๐๐
(Based on the QS World University Rankings by Subject, released 25 March 2026)
Ten years ago, a fire destroyed the UP Faculty Center. Since then, the UP College of Arts and Letters has functioned without permanent faculty, staff, and student offices, or dedicated facilities.
Despite this sustained displacement, the latest global rankings place the UPD Department of English and Comparative Literature in the 151โ200 bracketโthe highest in the Philippines ( https://www.topuniversities.com/…/english-language… ). This performance outranks most other units in the UP systemโthe majority of which occupy modern, intact infrastructure.ย
Across the broader Arts and Humanities, the university also maintains its No. 1 domestic ranking, placing 257th worldwide (https://www.topuniversities.com/univer…/arts-humanities… ).
These results were achieved from temporary desks and dismal shared spaces. They confirm that while a building provides necessary support, the intellectual work of the humanities has managed to lead the university even in its absence.
#kalbaryo
